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Changing Sake, Enduring ValuesThe Next Era Revealed by SAKE COMPETITION 2026

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  • 5 min read

On June 10, 2026, the awards ceremony for SAKE COMPETITION 2026 was held at TAKANAWA GATEWAY CITY in Tokyo. This year’s competition attracted 1,139 entries from 367 breweries across Japan. Bringing together representatives from the sake industry, distribution sector, transportation and tourism fields, the event provided an opportunity to reflect not only on the winners, but also on the future direction of Japanese sake itself.


From the final judging session in May to the awards ceremony in June, GEN DE ART followed the competition closely. What emerged was more than a list of award-winning labels. It was a portrait of an industry navigating profound change while remaining rooted in its traditions.

 


2026年6月10日、「SAKE COMPETITION 2026」の表彰式がTAKANAWA GATEWAY CITYにて開催された。全国367の酒蔵から1,139点が出品された今年のコンペティションには、国税庁 酒類業振興・輸出促進室長の三上悦幸氏をはじめ、酒類業界、流通業界、交通・観光分野の関係者が集い、日本酒の現在地と未来について改めて考える機会となった。

 
@SAKE COMPETITION 2026

Has Sake Entered a New Phase?

 

Among the speakers at the ceremony was Yoshiyuki Mikami, Director of the Office for the Promotion of the Liquor Industry and Exports at Japan’s National Tax Agency. In his remarks, he pointed to the continued growth of sake exports despite the long-term decline in domestic consumption.

At the same time, traditional Japanese sake brewing has gained renewed international recognition following its inscription on UNESCO’s Intangible Cultural Heritage list. Combined with record numbers of inbound visitors to Japan, global interest in sake continues to expand.For decades, the primary challenge facing the industry was maintaining domestic demand. Today, sake is increasingly positioned as a cultural product engaged in dialogue with the world. Export promotion, tourism, gastronomy, and regional revitalization have all become part of the conversation.


SAKE COMPETITION 2026 reflected this transition.

 

Looking Beyond the Label

 

During the final judging session, GEN DE ART conducted an exclusive interview with Koichi Hasegawa, Chairman of SAKE COMPETITION and President of Hasegawa Saketen.One principle has remained unchanged since the competition’s founding: judging the sake itself rather than the reputation attached to its label.Blind tasting, in which both brewery names and brands are concealed, has become the defining feature of SAKE COMPETITION. Yet its purpose extends beyond fairness alone.“When a label is visible, personal impressions inevitably influence judgment. If we truly want to identify the best sake, the label must be hidden.”Brewers, researchers, technicians, sommeliers, and other industry professionals evaluate entries under identical conditions. The result is not a popularity contest, but a platform that continually reexamines the value of sake itself.


Hasegawa also observed that the opportunity to deepen understanding of sake exists not only overseas but within Japan as well. His remark captures one of the central challenges facing the industry today.

 

 

2026年6月10日、「SAKE COMPETITION 2026」の表彰式がTAKANAWA GATEWAY CITYにて開催された。全国367の酒蔵から1,139点が出品された今年のコンペティションには、国税庁 酒類業振興・輸出促進室長の三上悦幸氏をはじめ、酒類業界、流通業界、交通・観光分野の関係者が集い、日本酒の現在地と未来について改めて考える機会となった。

 
@SAKE COMPETITION 2026

What Are Brewers Seeking?

 

During the final judging session, we also spoke with Iwao Niizawa, President of Niizawa Brewery, known internationally for brands such as Hakurakusei and Zankyo.Niizawa cautioned against viewing sake simply as a competition of aromas and specifications. For him, the true value of sake lies in its ability to accompany food and remain enjoyable throughout a meal.In recent years, highly aromatic styles and technical specifications such as polishing ratios have often attracted attention. Yet Niizawa believes that sake’s greatest strength remains its role at the dining table.


This perspective was reflected in many of this year’s winning entries.


Rather than rewarding technical achievements alone, the competition recognized breweries whose products expressed a clear philosophy developed over many years.As international markets continue to expand, brewers are increasingly confronted with a fundamental question: what should be preserved, and what should evolve?

 

Imanishi Shuzo and a New Standard

 

Among this year’s participants, no brewery made a stronger impression than Imanishi Shuzo of Nara Prefecture.“Mimurosugi Roman Series Dio Abita” won first place in the Junmai category, while “Mimurosugi Roman Series Junmai Ginjo Yamadanishiki” claimed first place in the Junmai Ginjo category. The brewery also received the TAKANAWA GATEWAY CITY Grand Opening Best Brewery Award.The achievement was remarkable not only for the number of awards but for what it represents.Nara occupies a special place in the history of Japanese sake. Emerging from this historic region, Mimurosugi has succeeded in maintaining tradition while seeking new connections with contemporary consumers.


Following the awards, brewery president Masayuki Imanishi described the outcome as “almost unbelievable.”The success of Imanishi Shuzo may also signal the emergence of a new benchmark for modern Japanese sake.


純米大吟醸部門で1位を獲得した広島県の相原酒造もまた、今年を象徴する存在だった。代表取締役社長の相原章吾氏は、純米大吟醸部門の受賞に加え、ダイナースクラブ若手奨励賞も受賞した。表彰式では、AIを活用した酒造管理への取り組みにも言及している。発酵管理、人材育成、データ分析。酒造りは長らく経験と勘によって支えられてきた。しかし若い世代の経営者たちは、そこに新しい技術を積極的に取り入れようとしている。もちろん、日本酒は工業製品ではない。しかし伝統とテクノロジーは対立するものではなく、共存しながら新しい価値を生み出す可能性を持っている。今回の結果からは、世代交代が着実に進んでいる日本酒業界の姿も見えてきた。
@SAKE COMPETITION 2026

A New Generation and New Technologies

 

Another brewery that captured attention was Aihara Shuzo of Hiroshima Prefecture.Its president, Shogo Aihara, won first place in the Junmai Daiginjo category and was also honored with the Diners Club Young Brewer Encouragement Award.


During the ceremony, Aihara discussed efforts to integrate AI into brewery management.

From fermentation monitoring and workforce development to data analysis, sake production has traditionally relied on experience and intuition. Yet a new generation of brewery leaders is increasingly willing to incorporate technological tools into their operations.


Sake is not an industrial product in the conventional sense. Nevertheless, tradition and technology need not stand in opposition. Together, they may create entirely new forms of value.This year’s results suggest that a generational transition within the sake industry is already underway.

 

Sake Looking Outward

 

Kawakei Shoten of Miyagi Prefecture, winner of the Modern Natural category, also received the JAL Flying SAKE Award.Selection for JAL’s international business-class service represents more than expanded distribution. It provides a gateway through which sake encounters dining cultures around the world.Across Europe, particularly in France and Spain, sake is increasingly being presented alongside wine rather than apart from it.International expansion offers new opportunities. Yet quality alone is no longer sufficient. Cultural context, history, and the philosophy of the brewer have become equally important elements in communicating sake to global audiences.

Today, sake is beginning a meaningful dialogue with the world.


モダンナチュラル部門で1位を受賞した宮城県の川敬商店は、同時にJAL空飛ぶSAKE賞も受賞した。JAL国際線ビジネスクラスへの採用は、単なる販路拡大ではない。日本酒が世界の食文化と出会う接点の一つでもある。近年、フランスやスペインをはじめとする欧州のレストランでは、日本酒をワインと並んで提案する動きも増えている。海外市場の拡大は、日本酒に新たな可能性をもたらしている。しかし、その可能性を支えるのは品質だけではない。背景にある文化、歴史、そして造り手の思想もまた重要な要素となる。日本酒は今、世界との対話を始めている。
@SAKE COMPETITION 2026

Tradition as Competitive Strength

 

The Executive Committee Chairman’s Award was presented to Yoshida Shuzoten of Ishikawa Prefecture for “Yoshidagura U Hyakumangoku no Shiro,” a sake that exemplifies another important trend.In recent years, discussions of terroir have become increasingly common in the sake world.Hasegawa, however, remains cautious about applying wine’s framework directly to sake.Rice, brewing techniques, fermentation, and the vision of the brewer all contribute to the final product. Sake cannot be explained solely through geography.Yet many of this year’s award-winning entries clearly reflected the philosophy of their respective breweries and regions.In an increasingly competitive global marketplace, tradition is no longer merely an inheritance from the past. It has become a source of competitive strength.

 

Toward the Next Era of Sake

 

Near the end of the ceremony, attendees were informed that Sasamasamune Shuzo of Fukushima Prefecture, which placed second in the Junmai category, had lost its brewery in a devastating fire earlier this month.Calls for support and reconstruction were shared with the audience.Ultimately, the future of sake depends not only on technology or markets, but on the people who continue to make it.


SAKE COMPETITION 2026 did not present a single answer. Instead, it revealed a range of perspectives—from policymakers and judges to brewers, innovators, and international market participants. What united them was a shared commitment to embracing change without losing sight of what makes sake unique.


The discussion surrounding sake now extends far beyond the boundaries of the beverage industry. It touches culture, tourism, gastronomy, regional identity, and international exchange.Standing at the intersection of these fields, sake has become a lens through which we can observe how Japanese culture itself engages with the wider world.

 

表彰式の終盤では、純米酒部門で2位を受賞した福島県の笹正宗酒造が、6月初旬の火災によって酒蔵を全焼したことも紹介された。会場では再建支援への呼びかけが行われ、多くの関係者が耳を傾けていた。日本酒の未来を支えるのは、技術や市場だけではない。酒を造り続ける人々の存在があってこそ、その文化は次の世代へ受け継がれていく。SAKE COMPETITION 2026で見えたのは、一つの正解ではなかった。政策、評価、技術、伝統、そして国際市場。それぞれ異なる立場から日本酒に向き合う人々の姿を通して見えてきたのは、変化を受け入れながらも本質を見失わないという共通の姿勢だった。
@SAKE COMPETITION 2026

SAKE COMPETITION 2026 offered a compelling glimpse of that ongoing transformation.

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