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GEN DE ART

Lifestyle & Culture

Liquor Artistry

GEN DE ART

Lifestyle & Culture

Liquor Artistry

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A "fingerprint" captured from an oil painting on canvas. Courtesy of Numeraire Future Trends

A "fingerprint" captured from an oil painting on canvas. Courtesy of Numeraire Future Trends

Same piece, different question: why the art market needs object identity

13 hours ago

Giuseppe Penone Essere Vento tree trunk installation, National Museum of Qatar

Giuseppe Penone Essere Vento tree trunk installation, National Museum of Qatar

Art, Architecture and the Making of Cultural Identity in Qatar

14 hours ago

Christophe Cherix Suhanya Raffel Laurent Le Bon joint portrait MoMA Centre Pompidou M+ cultural alliance

Christophe Cherix Suhanya Raffel Laurent Le Bon joint portrait MoMA Centre Pompidou M+ cultural alliance

MoMA, Centre Pompidou and M+ Form a Cultural Alliance Across Three Continents

3 days ago

Control tower of Terminal 1 Old Abu Dhabi Airport venue of NOMAD Abu Dhabi design fair

Control tower of Terminal 1 Old Abu Dhabi Airport venue of NOMAD Abu Dhabi design fair

NOMAD Abu Dhabi 2026: Terminal 1, Revisited

3 days ago

Marimekko exhibition gallery view at Tokyo Metropolitan Teien Art Museum, colourful Finnish textile prints on display

Marimekko exhibition gallery view at Tokyo Metropolitan Teien Art Museum, colourful Finnish textile prints on display

Dressing as a Canvas with Marimekko

3 days ago

Art Taipei 2026 Positions Taipei Between Tokyo and Seoul

Art Taipei 2026 Positions Taipei Between Tokyo and Seoul

Art Taipei 2026 Positions Taipei Between Tokyo and Seoul

4 days ago

Ali Güreli and the Making of an Art Ecosystem in Istanbul

Ali Güreli and the Making of an Art Ecosystem in Istanbul

Ali Güreli and the Making of an Art Ecosystem in Istanbul

4 days ago

Art Basel Miami Beach 2026: A Sharper Focus

Art Basel Miami Beach 2026: A Sharper Focus

Art Basel Miami Beach 2026: A Sharper Focus

5 days ago

Manuel Mathieu Brings Ayizan to Paris

Manuel Mathieu Brings Ayizan to Paris

Manuel Mathieu Brings Ayizan to Paris

5 days ago

Art Basel Qatar 2027: In the Space 'between'

Art Basel Qatar 2027: In the Space 'between'

Art Basel Qatar 2027: In the Space 'between'

5 days ago

Luigi Fassi, director of Artissima, seated in a light-blue suit.

Luigi Fassi, director of Artissima, seated in a light-blue suit.

Artissima 2026: Where Curators Go to Discover

5 days ago

Karim Crippa's First Art Basel Paris: Fifth Edition, New Direction

Karim Crippa's First Art Basel Paris: Fifth Edition, New Direction

Karim Crippa's First Art Basel Paris: Fifth Edition, New Direction

Oct 22

Most people who know Botero know one thing: round figures. This show at Opera Gallery London goes wider. It brings together portraits, still lifes, landscapes, sculptures and works on paper from the 1960s to the last years of his life. It isn't a retrospective so much as a generous selection, drawn from the gallery's own collection and put together in close contact with the artist's estate, and it gives a good sense of how much ground he covered. The lead painting is ‘El Arrastre’ (1984), named for the moment in a bullfight when the dead bull is dragged out of the ring. Three white horses with pink pompoms and a yellow saddle haul the animal across the sand, a small patch of red near its head. Three men in red shirts and caps whip the team on, one bent over the carcass, while a matador in yellow and blue raises an arm at the edge. Behind them the stands are full, the crowd painted as a dense field of tiny faces under a hard blue sky.

Most people who know Botero know one thing: round figures. This show at Opera Gallery London goes wider. It brings together portraits, still lifes, landscapes, sculptures and works on paper from the 1960s to the last years of his life. It isn't a retrospective so much as a generous selection, drawn from the gallery's own collection and put together in close contact with the artist's estate, and it gives a good sense of how much ground he covered. The lead painting is ‘El Arrastre’ (1984), named for the moment in a bullfight when the dead bull is dragged out of the ring. Three white horses with pink pompoms and a yellow saddle haul the animal across the sand, a small patch of red near its head. Three men in red shirts and caps whip the team on, one bent over the carcass, while a matador in yellow and blue raises an arm at the edge. Behind them the stands are full, the crowd painted as a dense field of tiny faces under a hard blue sky.

Fernando Botero at Opera Gallery London: a world made bigger

Oct 17

The Quantum Effect Opens at OGR Torino with a Yayoi Kusama Infinity Room

The Quantum Effect Opens at OGR Torino with a Yayoi Kusama Infinity Room

The Quantum Effect Opens at OGR Torino with a Yayoi Kusama Infinity Room

Oct 17

A screen becomes a forest. A stool recalls a bird’s courageous intervention. Across textiles and metalwork, monkeys carry instruments, bows and rockets, their activities suspended somewhere between celebration and conflict. In Wings and Tales, Vikram Goyal approached furniture and decorative objects as carriers of stories—things to live with, but also to look into.

A screen becomes a forest. A stool recalls a bird’s courageous intervention. Across textiles and metalwork, monkeys carry instruments, bows and rockets, their activities suspended somewhere between celebration and conflict. In Wings and Tales, Vikram Goyal approached furniture and decorative objects as carriers of stories—things to live with, but also to look into.

A Place for Wonder: Vikram Goyal’s Wings and Tales

Oct 17

Two Ways of Looking at Greece: The Hellenic Centre during Frieze Week

Two Ways of Looking at Greece: The Hellenic Centre during Frieze Week

Two Ways of Looking at Greece: The Hellenic Centre during Frieze Week

Oct 15

From the enduring legacy of a collection to the intelligence of the natural world, UBS invites audiences to explore how art shapes our understanding of what we preserve—and how we live. During Art Basel Paris 2026, UBS will open its Salon to the public for the first time. Taking place from 23 to 25 October, the exhibition Earthly Paradise: Nature Reimagined will be accompanied by a programme of panel discussions and guided experiences, bringing together artists, collectors and cultural voices to explore ideas at the heart of the presentation.

From the enduring legacy of a collection to the intelligence of the natural world, UBS invites audiences to explore how art shapes our understanding of what we preserve—and how we live. During Art Basel Paris 2026, UBS will open its Salon to the public for the first time. Taking place from 23 to 25 October, the exhibition Earthly Paradise: Nature Reimagined will be accompanied by a programme of panel discussions and guided experiences, bringing together artists, collectors and cultural voices to explore ideas at the heart of the presentation.

Art, Nature and Cultural Legacy: UBS Opens Its Salon to the Public for the First Time at Art Basel Paris 2026

Oct 7

SHAPING THE NEXT CHAPTER ------ Karim Crippa on Culture, Collecting, and the Future of Art Basel Paris

SHAPING THE NEXT CHAPTER ------ Karim Crippa on Culture, Collecting, and the Future of Art Basel Paris

SHAPING THE NEXT CHAPTER ------ Karim Crippa on Culture, Collecting, and the Future of Art Basel Paris

Oct 6

Etsu Egami's first public art piece in Japan is unveiled in Otemachi: "Otemachi One: Parallel Lines Tell the Story of the Fate of Faces"

Etsu Egami's first public art piece in Japan is unveiled in Otemachi: "Otemachi One: Parallel Lines Tell the Story of the Fate of Faces"

Etsu Egami's first public art piece in Japan is unveiled in Otemachi: "Otemachi One: Parallel Lines Tell the Story of the Fate of Faces"

Sep 19

Tokyo Gendai 2026 Opens in Yokohama with 69 Galleries and an Expanded Contemporary Art Programme

Tokyo Gendai 2026 Opens in Yokohama with 69 Galleries and an Expanded Contemporary Art Programme

Tokyo Gendai 2026 Opens in Yokohama with 69 Galleries and an Expanded Contemporary Art Programme

Sep 10

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